Herbert Marshall McLuhan, 1945 |
By the mid–1950s, prominent speakers had become a fixture at Ontario Library Association (OLA) annual conferences. Such was the case in mid-May 1956 when the OLA met at Oshawa’s new McLaughlin Library, which had opened in 1954. This OLA conference was shortened to two days because the Canadian Library Association would meet at Niagara Falls in June. Nevertheless, four hundred and twenty-five persons registered; it was one of the best attended conferences to date. A notable attraction was an emerging University of Toronto professor at St. Michael’s College, Marshall McLuhan. He addressed delegates about “The Future of the Book” at a luncheon on May 16th at the St. Andrew’s United Church in downtown Oshawa.
McLuhan had found an American firm, Vanguard Press, to publish The Mechanical Bride: Folklore of Industrial Man in 1951. In The Bride, he analyzed popular printed resources (e.g., comic strips or visual images in magazine/newspaper advertisements) as agents of social communication and public persuasion rather than transmitters of content. He theorized that readers typically perceived messaging so casually that they failed to notice how it influenced their thinking about lifestyles and social norms. McLuhan believed the form of communication was a very significant force that shaped public awareness because it merged technology and sexual themes in persuasive way, hence the title of his book. The Bride’s short chapters could be read in any order—a method that allowed McLuhan’s readers to concentrate on one topic or skip to another section, much like dialing a radio to find a good program.
The St. Michael’s college professor spoke to librarians about his interpretations of the effect of movies and radio on books. Now television had become another challenge. These electronic media engaged the public in new, different ways; for example, the outcome of elections was less predictable now. But McLuhan felt the future of the book was assured; in fact, every type of media enriched books. All media, including books, are the means of translating one kind of experience into another. Books were an early stage of the mechanization of the written word. Now, television and radio were adopting an electronic mode of operation or production of words. Books allowed readers, in a linear fashion, to delve deeper into knowledge and presented a greater diversity of subjects. Nonetheless, McLuhan believed the public’s perception of the electronification of information was becoming as important in transmitting knowledge through printed media.
R.H. King Collegiate library, 1954 |
McLuhan’s message was well received at a time when libraries and educators were grappling with the growth of mass media, primarily television and radio, which reached into homes across the nation. In their own right, libraries were important sources of print medium that conveyed detailed information. Indeed, it was the second time the theorist spoke to Ontario librarians in less than two years. The School and Intermediate Libraries Section of OLA invited him to its meeting at the R.H. King Collegiate Institute in Scarborough on Saturday afternoon October 30th, 1954. Margaret Scott was the head librarian at the R.H. King’s library, which was considered a comfortable, modern setting for students. She would later become an associate professor of school librarianship at the University of Toronto Library School. Scott was an active member of the School and Intermediate Libraries section, which dated back to the 1920s to annual OLA ‘round tables’ of librarians and teachers interested in the reading and use of books by young adults. The OLA had formalized this section in 1935 to represent librarians in secondary schools and public librarians interested in young adult reading. Librarians believed libraries to be places where ‘good’ books could be found to counter the effect of mass-produced ‘bad’ books that teens could purchase at local retailers or exchange among themselves.
“The Hazards of Reading” formed the theme of McLuhan’s afternoon session at R.H. King. Despite the spread of electronic mass media in the 20th century, he remained an advocate for book culture. When he asked, “What is the essential core of Book-Culture that is worth preserving?” he was suggesting that a ‘core library’ could be assembled to preserve and make accessible humankind’s knowledge. An informed personal perspective was necessary to remedy the ill effects of standardized advertising and messaging presented in various mass media. Book reading had an effect quite different from the competing media. He made the interesting observation that students come to the classroom “loaded with facts.” The need was not to supply more facts but to help them articulate what they already knew—to help them orient themselves in the midst of the conflicting cultural media surrounding them. McLuhan emphasized the need to study the impact of the new media of communication on the older book culture. His post-presentation comments raised many interesting points; however, questions had to be cut short before the closing school hour.
McLuhan’s Mechanical Bride did not reach the bestseller lists or sweep through the halls of academia. Nor did libraries undertake to assemble ‘core’ collections to represent humankind’s knowledge for their clientele. Later, especially in the 1960s, McLuhan achieved celebrity status with a series of popular books: his phrase “the medium is the message” became the source for many programs, discussions, and articles. Television was a ‘cool’ medium requiring attentive listeners/viewers. He claimed electronic media were supplanting print culture, that the
book as a package might become ‘obsolete’ unless it adapted to the new
media. His communication theories often seemed to be at odds with the promotion of library service through books. Many, such as Canada’s National Librarian, W.K. Lamb, refused to believe that the book was obsolete. Yet, McLuhan’s use of this hot-button word pointed more to an outmoded technology rather than decay and non-usage. Public librarians especially wondered whether the media prophet’s proclamation that books were ‘hot’—i.e., there was less engagement by the viewer/reader than ‘cool’ TV—helped promote the community services they were offering. Being regarded as a book provider was not so hot to many librarians who pointed to the importance of other library formats, e.g., films and recordings.
All the same, McLuhan was never a foe of public libraries or print culture. The library was a primary print resource, and librarians were reliable mediators in selecting, organizing, and storing information. In fact, he composed a manuscript with co-author Robert Logan in the late 1970s, which eventually was published in 2016 many years after his untimely death at age 69: Robert K. Logan and Marshall McLuhan, The Future of the Library. Before the virtual or digital library existed, McLuhan hoped libraries would better engage their clientele with new electronic media. His message was hopeful because he believed the book would become an information service rather than a mere package on library shelves. Library resources and the range of services also could change in the same fashion. With the establishment of the ‘digital library’ by the first decades of the 2000s, McLuhan’s optimism about books and libraries expressed many years before beforehand at his two OLA sessions appears well-founded.
Further Reading:
Logan, R., K., McLuhan, M. (2016). The Future of the Library: From Electric Media to Digital Media. New York: Peter Lang.
Neill, Samuel D. “Books and Marshall McLuhan.” Library Quarterly; Information, Community, Polity vol. 41, no. 4 (October 1971): 311–319.
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