William Austin Mahoney: A Prolific Canadian Carnegie Library Architect

At the beginning of the twentieth century, Andrew Carnegie began dispensing grants to Ontario libraries. Many ambitious cities and towns submitted a request for assistance. One important requisite that Carnegie demanded was that the library be “free” that is, open at the point of entry free of charge—there would no longer be a subscription for membership. This condition would make it eligible for a specific amount from its municipality according to Ontario’s public library legislation. More than a hundred communities followed through and received grants.

One architect from Guelph, Ontario, William A. Mahoney (born 16 Sept. 1872 and died 13 Oct. 1952) designed fifteen buildings across the province. This short history looks at Mahoney’s buildings and their subsequent development until the period of the Second World War, especially in connection with Angus Mowat, who inspected most of Mahoney’s buildings and reported on their status about a quarter-century after they originally opened. There were examples of progressive and struggling libraries in Mahoney’s grouping prior to 1945.

William Mahoney's contribution to the Carnegie architectural history of Canadian libraries was large in number but small in terms of interior design and exterior features. His preference for simple, square, classical buildings and open floor plans suited the building period and size of grant allowances that the Carnegie corporation favoured for smaller towns across Canada, especially in Ontario. Mahoney continued a successful practice, building schools and commercial buildings for many years until his retirement. Seven of his buildings continue in use as libraries in 2023.

A testament to Mahoney's design concepts came from Angus Mowat, the Ontario Inspector of Public Libraries from 1937 to 1960, about thirty years after the libraries opened. The Inspector found most of Mahoney's libraries were still generally community assets, although crowded and in need of extensions or interior reorganization. One suggestion, used in a number of Carnegie buildings in the following decades, was to house children's sections in basement rooms that had being planned for other uses. Another testament to William Mahoney's success as an architect is that many of his buildings remain in use more than a century after their construction, surely a notable achievement.

A complete listing of William Mahoney's buildings is at the website, Biographical Dictionary of Architects in Canada 1800–1950.

 

Brantford 1904 Carnegie library

Brantford’s classic red brick Beaux-Arts Carnegie Library, constructed between 1902 and 1904, was located at 73 George Street across from Victoria Park in the city’s main square. The building was designed by the firm of William and Walter Stewart with Lewis Taylor and manifested a sense of grand monumentalism with its central dome and a 20-step main entrance as shown in a 1917 First World War picture taken more than a dozen years after it opened on July 4, 1904.

Andrew Carnegie promised Brantford $30,000 after receiving a 1902 request from a prominent local judge, Alexander David Hardy, who was deeply interested in books, libraries, history, and cultural life in the city. Judge Hardy became an active local library trustee who later served as President of the Ontario Library Association in 1909—10. Brantford was one of Ontario’s leading cities at the time, with a population (1901 census) of just over 16,000. In a contemporary 1902 report by Lawrence Burpee, “Modern Public Libraries and their Methods,” Brantford reported holdings of almost 17,000 volumes and circulation just short of 67,000 items per year. The library staff numbered four, and a printed catalogue recorded holdings. About eighty percent of the collection was classed as fiction. This figure may reflect that the library used an antiquated classification system initially designed for mechanics’ institutes in Ontario thirty years earlier. More proficient methods were about to be employed under a new librarian, Edwin D. Henwood, including the Dewey Decimal system. Henwood became one of the many Ontario voices for improved library service in the course of his twenty-two years as chief librarian. He died suddenly in 1924 leaving a bequest of $1,000 for the children’s section that he had introduced.

After the city council agreed to comply with Carnegie’s terms to support its new free library, during the construction phase, costs escalated well beyond original 1902 estimates. Again, Hardy wrote to the Scottish-American philanthropist, who responded with an additional $5,000 in 1904 to complete the city’s building on the main square. As years passed, Hardy remained fully engaged with the library’s development, and in 1913, when the need for an enlarged stack room and basement became evident, he again asked for increased funding. Fortunately, the Carnegie Foundation (est. 1905) granted $13,000 of the $15,000 required to make the new renovation possible. The three grants totalling $48,000 became one of the most significant for Carnegie library buildings in Canada.

Many different exterior architectural elements exhibited the Beaux-Arts symmetry and style of the library. These features are evident in a serious of pictures taken by the award winning Park Co. [Edward P. Park] that are preserved at the Archives of Ontario.The Beaux-Arts style was popular in Europe and North American and suited more refined cultural tastes and respect for literature and reading. The classical form included a large portico supported by four Ionic columns surmounted by a triangular pediment. The dome above the portico offered an impressive visual presence which was complemented by a hipped roof. “Public Library” was inscribed across the nomenclature beneath the pediment, and just below above the main entrance, a Latin verse from the Odes of Horace proclaimed, “I have erected a monument more lasting than bronze.” To some people, the library exuded a sense of permanence--it was a lasting storehouse of knowledge. The exterior classical form of the building also included smaller formal decorations. Three small palmettes (arcoteria) adorned the two sides and peak of the central pediment. The names of famous Anglo-American writers such as Shakespeare, Tennyson, Emerson, Dickens, Burns, and Thackeray were engraved on the smaller pedimented main-storey front windows.

 

Inside the library, the primary visual feature at the entrance was, of course, the rotunda under the dome. Several stained-glass skylights at the top gave an air of elegance and permitted more highlighting of the recessed displays, marble walls, mosaic tiled floor, and adjoining rooms.  The two separate reading rooms (each 884 sq. ft.) flanking the rotunda were designed separately for ladies and gentlemen. The stack room (1,560 sq ft.) was located at the back and fronted by a charging station with two smaller rooms to each side (each 300 sq. ft), one for reference another for the librarian. There was no direct public access to the bookshelves, and the library enforced an age limit of fourteen which barred children. Stairs to the lower level led to a men’s smoking and conversation room (35 ft x 25 ft), a lecture room (35 ft x 25 ft), and a board room for meetings.

The principal defect in the library plan for adults seemed to be the separation of the two reading rooms from the books. Book retrievals by staff from the delivery counter were required, and users then had to retire to the rooms beside a noisy entrance area to browse or read items. The reference area was small and accommodated only one table for multiple users. As well, the front entrance steps for infirm or aged residents were a barrier indeed. The absence of a separate children’s area or room was soon recognized. An enlarged area for book stacks was built in 1913. Despite these physical drawbacks and necessary changes to the original plan, the Brantford library was known to be a progressive and service oriented. For several years after 1906, short regional library “institutes” for library staff and trustees were held at which new ideas were exchanged and hands-on training conducted.
 

Two decades after the library opened, residents were borrowing more than 140,000 volumes each year, just less than five volumes per capita. A children’s department had been developed in the basement in 1910 after the elimination of the onerous age limit. Sunday afternoon openings in the reading and reference rooms came into effect in 1911. Judge Hardy continued to play an important role in the development of the library due to his interest in historical works and progressive civic ideas. Speaking in 1910 at the Ontario Library Association meeting in Toronto, he looked forward to library progress:

 

One feature of this modern age which we must all recognize is that a knowledge of the fact whatever that fact may be about is the lord and master of the situation; and the modern library tends, by its reference department and by its methods for investigating, and its educative processes, to give citizens generally the opportunity of establishing the fact about anything. 

 

Judge Hardy’s contributions to the Brantford library were memorialized with a plaque in 1956 when new steps were dedicated to make the approach more functional. His young grandson, Hagood Hardy, who later became a notable musician and composer, was present and spoke briefly about the tribute to his grandfather. The Carnegie library continued in operation until a new building opened in 1992.

An earlier post on Edwardian library buildings in Ontario

Brockville 1904 Carnegie library

At the turn of the 20th century, library grants from the foundation Andrew Carnegie had created became readily available for Canadian municipalities. Carnegie believed in the efficacy of public libraries to improve society and in the ability of local governments to better the lives of all residents. In order to qualify for a grant, a municipality submitted a letter outlining its local need for library service. Carnegie required local governments to provide a building site, provide ten percent of the construction cost each year from public taxation for the library’s future operation, and allow free access for residents. These were generous terms, and 125 Canadian cities successfully obtained and built Carnegie libraries.

Brockville was one such community, a small market town in rural Eastern Ontario with a population of 8,940 according to the 1901 Canadian census. After receiving a sizable $17,500 grant in April 1903, the city opened a new building on 13 August 1904 at the corner of Buell and George streets. Fortunately, several images of the library taken in 1906 have been preserved at the Archives of Ontario. These offer some insights into Canadian library features and architecture for smaller towns and cities during the earliest period of the Carnegie library building era.

Before the First World War, the organization of interior space and the interrelationships between staff and patrons underwent a dramatic change. Improved library functions, new programs, and public access arrangements were under active development: children’s services, improved reference service, better classification and cataloging schemes, and open access to collections were all becoming new features. Reliance on long-standing library conventions -- the emphasis on physical custody and storage of books, use of printed catalogues and leaflet updates for holdings, closed stacks, surveillance of public reading rooms, the use of indicators (a British practice) for circulation status in lending departments, and occasional lectures or evening classes for the technical education of working classes (an inheritance from mechanics’ institutes) -- was ebbing. A more “modern” public library as we know it today was emerging that stove to connect people with books and promote an educational ethos to improve its local citizenry. Architectural features of Carnegie exteriors became all too well known for their Beaux-Arts style featuring classical columns, steps, porticos, and domes. It was an exuberant architectural style with classical lines and elements that promoted civic grandeur and acknowledged the intellectual heritage of Graeco-Roman civilization.

Brockville had enjoyed modest library service for several decades. The Brockville Mechanics’ Institute was founded in 1842 and incorporated in 1851. A report from 1858 indicated it held about 800 volumes. It was a membership library requiring an annual subscription. In the early 1880s, the institute fell on hard times and underwent a reorganization to receive provincial grants. Eventually, after 1895, the Brockville town council passed a by-law establishing the Brockville Public Library as a free library open to local residents without charge at the point of access. At this point, the city’s library board and staff were among the most energetic in Ontario. One board member, Edward A. Geiger, a railway agent, attended the American Library Association meeting in Montreal in 1900 and attended a small meeting of leading librarians and trustees that led to the founding of the Ontario Library Association in the following year, 1901. Another member, Judge Herbert S. McDonald, became an OLA councillor. Brockville’s librarian, Carrie Anne Rowe, presented a paper on “Useful Methods for Small Public Libraries” at the second annual meeting in Toronto.

In a 1902 report by Lawrence Burpee, “Modern Public Libraries and their Methods,” Brockville reported holdings of almost 10,000 volumes and a circulation of 40,000 items per year. The library staff numbered three, and holdings were recorded in a card and printed catalogue for the librarian’s use. An “indicator” recorded circulation, usually a board in the lending section indicating by numbers or colours which books were currently lent out or available in the stacks. Indicators were suitable for more limited “closed access” collections but took up considerable space and were giving way to “open access” and book-card charging systems. Due to lack of space, there was no separate children’s section, and an age limit of fourteen was in force.

The library’s architect, Benjamin Dillon, was active in eastern Ontario and had experience with schools, churches, and public buildings in the region. The new Carnegie library featured pressed red brick, grey stone, and a slate roof. It had a corner entrance and a tetraportico supported by four columns topped by a prominent triangular pediment. Keystones decorated the windows. “Public Library Reading Room” was engraved above the entrance. With raised basements, there were the obligatory ten front steps from the sidewalk to reach the main floor. The building measured 61 ft. x 65 ft., just short of 4,000 sq. ft. A central corridor led to a small reference room (17 ft. x 26 ft.), a general reading room (26 ft. x 28 ft), and a circulation desk that separated users from books in the stack area (26 ft. x 28 ft.). Rooms had suspended lighting from high ceilings. Brockville continued to rely on indicators to display the status of stack items., but this type of library device was in declining use in Canada. There was free access to the reference collection housed in glassed-in shelving, but the general circulating collection was only available through staff retrievals. Stairs to the lower level led to a large lecture 47 ft. x 27 ft. hall; however, there was no separate street entrance/exit from the basement, a serious defect considering this large room could hold more than a hundred people. Coal powered the building’s hot water heating during the winter. The building was an early version of Carnegie libraries, built to local standards of the day. There were a few drawbacks in terms of service. It was a compartmentalized plan with a significant portion of space devoted to corridors and stairs. There was no separate children’s department.

Among the members of the library board when the library opened were the Rev. H.H. Bedford-Jones (Chair), R.H. Lindsay (Vice-Chair), Mr. Edward A. Geiger (Secretary-Treasurer), Judge Herbert S. McDonald, Dr. A.J. Macaulay, W.C. McLaren, Mayor Samuel J. Geash, Albert Abbott, and R. Laidlaw. Miss Carrie Row continued as the librarian until she moved to Toronto in 1907.

Brockville’s building made a reorganization to open access or children’s work difficult. A report in 1910 by Patricia Spereman, a library assistant in the Ontario Department of Education who travelled to smaller libraries to introduce children’s services and the Dewey Decimal system, indicates a slow adoption of new methods especially removal of the age limit and open access service.

In this library there are about 13,000 volumes. I gave instructions in the cataloguing and classified all the library, as well as establishing a Children’s Department. The Library Board at that time were not very favourable to having the children become members of the Library, and an age limit existed of 14 years. [I]Gave one “Story Hour,” with an attendance of about 80 children. This Library is very fortunate in having a good librarian [Margaret Stewart], who is not afraid of work. She has undertaken to carry on the work of the Children’s Department as well as finishing the cataloguing, all this without assistance.

Within a few years, the staff shelved and catalogued children’s books separately and held a weekly story hour. Many teachers cooperated by sending their pupils to the library for assistance in writing their compositions. One of the main disadvantages of the original building had been overcome.

Over the following decades Brockville’s population grew slowly -- the 1971 census recorded just under 20,000 people. The Carnegie library also remained substantially unchanged until a small addition was made at that time in 1971. Two decades later, in the mid-1990s, the library was completely remodeled and enlarged with a new entrance adorned with a pediment. This new wing retained many of its original external architectural elements (e.g., symmetry) which were considered heritage features.

An earlier post on Edwardian public libraries in Ontario

Two Fraser Valley films: The Fraser Valley Public Library (c. 1932) and The Library on Wheels (1945)

Fraser Valley Public Library, 16 mm., b & w., 12 minutes, c. 1932. British Columbia Public Library Commission. Photographed and produced by H. Norman Lidster.

The Library on Wheels, 16 mm., b & w, 14 minutes, 1945. National Film Board of Canada. Produced by Gudrun Parker and directed by Bill MacDonald.

The use of 16 mm. films for the promotion of Canadian library services began in earnest with Hugh Norman Lidster during the Great Depression. He was a practicing lawyer, a councillor, and a library board member in New Westminster, BC. In 1929, Lidster was appointed to the British Columbia Public Library Commission, a position to which he made many contributions until his retirement in 1966. In addition to his local and provincial contributions, he was active on the national level and received an Award of Merit from the Canadian Library Trustees’ Association in 1962. Lidster became an avid “home movie” enthusiast in the twenties and bought his first movie camera in 1930. Within a few years, he began to document local events and to promote the new Fraser Valley library regional demonstration (FVRL) funded by the Carnegie Corporation of New York from 1930-34. At some point, likely in 1932, Lidster decided to film the library’s new book van on its travels. Fortunately, his work has been preserved; consequently, we can view many of this region’s early community libraries, deposit stations, schools, its rural landscape and mountains, gravel roads, and even the old Agassiz-Rosedale ferry, which was replaced by a bridge in 1956.
 
Lidster’s film is essentially a promotional film to showcase the Carnegie demonstration. It shows library service in the Fraser Valley and follows the book van on its routes from community to community. The film depicts various aspects of the library service and perhaps shows a brief closeup of the energetic director-librarian, Helen Gordon Stewart, at the outset. For today’s viewers, the smaller Canadian communities of the Fraser in the early 1930s appear by 21st century standards to be underdeveloped in terms of technology and economics. Even a decade and a half later, when the Library on Wheels was produced, this same impression prevails. Still, we must consider that Canada was less urbanized at this time: the valley’s principal towns were Abbotsford and Chilliwack, each with about 1,000 population or less. Forestry and farming were major sectors in a resource-based economy. Canada’s economy was growing on an international basis, and its gross domestic product ranked with countries such as Argentina, Poland, and Spain. Postwar economic growth in commercial industry, trade, services, and tourism would, of course, introduce many changes. Today the FVRL serves about 700,000 people.

Fraser Valley book van exiting ferry, ca 1932

 

Serving the rural population in BC was a key goal of the Provincial Public Library Commission Lidster served on. An important BC survey conducted in 1927 recommended that larger administrative library districts based on cooperation between municipalities and school districts would best serve rural communities that could not afford to fund local libraries for improving standards. Fortunately, the Carnegie Corporation of New York awarded a grant of $100,000 to operate a multi-year library project, which commenced in 1930. A notable feature of this project was its book van that traversed an area of approximately 1,000 square miles. The van made regular stops at small community association libraries, filling stations, grocery stores, and country corners. At each stop, it displayed books on its exterior covered shelves for people, young and old, to browse.

 
The experiment in regional library service proved to be quite successful. At its conclusion each community voted whether to continue the regional library with local taxes. Twenty municipalities agreed to do so, and in autumn 1934, a union library was formally established at a ceremony held in Chilliwack. The provincial government provided additional funding to encourage growth.

Eager readers at a book stop, Library on Wheels, 1945

 

The FVRL was a successful model. Two more regional libraries were formed in BC, one on Vancouver Island and another in the Okanagan Valley, before Gudrun Parker, a Winnipeg born film producer who began her career with the National Film Board (NFB) during the Second World War, teamed up with the NFB director Bill MacDonald. He was a talented writer with a particular interest in conservation and outdoor sports, especially fishing. Together, they made an enjoyable reprise of the book van’s travels in the Fraser throughout four weeks in 1944. The NFB crew interacted with many residents during filming. Later, MacDonald recounted: “They took us into their confidence and they told us what they thought of the library and showed us the books they liked to read.” With sound, of course, the Library on Wheels is entertaining because it is also professionally edited. Parker, who eventually would receive the Order of Canada for her body of work in 2005, credited one source of inspiration as Richard Crouch, the chief librarian of London, Ont. Crouch travelled across Canada on a Carnegie grant administered by the Canadian Library Council during the war. He was noted for his advocacy for the role of the “library in the community.” Two years later, in 1947, Parker and Crouch collaborated again, this time to produce the NFB short film, New Chapters, which documented the London library’s cultural and leisure activities in the Forest City. The later film received less promotion and was eclipsed in popularity by yet another bookmobile film of the same year, The Books Drive On, which highlighted libraries and communities in the Ontario county of Huron.

The Library on Wheels proved to be an influential asset for library promoters after WWII. Proponents of regional libraries in the west, especially in Saskatchewan, used the film to establish better rural services linked by newer bookmobiles rather than truck vans. Today, both films still resonate with the spirit of our open country and Canadians’ love of books.

Norman Lidster’s film can be viewed on YouTube here.

 

Watch the NFB’s Library on Wheels on YouTube here (part 1) and here (part 2).

THE BRITISH COLUMBIA FREE LIBRARIES ACT, 1891

British Columbia became the second province to pass an act allowing local governments to establish free libraries in 1891. Generally, municipal conditions were different in B.C. compared to its eastern counterpart, Ontario. There were only a handful of cities and towns able to fund and maintain libraries adequately: the total population of the province in 1891 was 98,173 and Vancouver, with 13,709 people, was the largest city. But libraries in a variety of forms--subscription, mechanics' institutes, literary societies, and commercial circulating libraries--had existed for many years in different localities such as Vancouver, Victoria, and New Westminster.

Consequently, legislation was introduced in March 1891 that enabled a local council that had received a petition from 100 electors to submit the issue to be voted upon by ratepayers and, if successful, for council to pass a bylaw establishing a free library which might also include a free news-room, or museum, branches, as well as evening classes for artisans, mechanics and workingmen to promote mechanical and manufacturing arts. Essential features of this Act (54 Vic. chap 20) were similar to Ontario's 1882 legislation:

• a board of management composed of the mayor or reeve of a municipality, and three other persons appointed by the council, and three by the public school board (or the board of education) governed the operations of the library;
•  councils were mandated to levy a "Free Library Rate," a special annual rate not to exceed one half a mill upon the assessed value of all rateable real property to furnish the estimated budget submitted by the library board each year.;
• all libraries, news-rooms, and museums were to be open to the public, free of all charge;
•  mechanics' institute and library associations were authorized to transfer property and assets to a municipality for the purpose of the Act;
• municipal councils were authorized to raise by a special issue of debentures (termed the "Free Library Debentures") amounts required for purchasing and erecting buildings and, in the first instance, for obtaining books and other things required to establish a library.

For the most part, British Columbia's legislation followed Ontario's law; however, one distinctive clause included in the B.C. Act permitted boards to conduct evening classes and to appoint and dismiss salaried teachers or instructors.

B.C.'s library act was primarily aimed at larger urban centres in a developing province. There was no provision for establishing libraries in the rural districts and no provincial financial or organizational assistance provided to undertake such work. The beneficiaries of the 1891 legislation were communities that had previously struggled to establish a public library by various means: Vancouver, Victoria, and New Westminster. In Victoria, for example, a public referendum had been held in 1887 to transfer the assets of the Mechanics' Literary Institute to the city for the purposes of establishing a public library. Vancouver's city council had begun granting small amounts for a public library earlier in 1889. New Westminster had provided accommodation in a central building for its library in 1890. Now these communities were eligible for an annual library rate. As well, there was a major unanticipated benefit to the 1891 legislation. A decade later, when Carnegie money became available for free public libraries, all three communities automatically were eligible for a grant to erect a new building.

The 1891 Act marked another late Victorian Canadian milestone in the recognition of free libraries--how to establish and administer a library, what services would be provided, and how operations would be financed. The Act would remain in place until a complete revision was undertaken in 1919.

Further reading on B.C.'s Carnegie library heritage:

Vancouver, 1903:  now the Carnegie Centre
Victoria, 1906:  opened at the at the corner of Yates and Blanshard Streets

THE CITY OF SAINT JOHN FREE PUBLIC LIBRARY ACT, 1883

The 1880s were a critical turning point for free library legislation in Canada. Ontario was not alone in enacting legislation for free public libraries, that is, library service owned and funded by a local government accessible to local residents without charge at the point of service. Unlike Ontario, however, in the Maritime provinces specific legislation for the establishment of a free public library was the typical method chosen by Legislatures. Saint John became the earliest incorporated library to assume this course in 1883.

In the nineteenth century, Saint John was served by various subscription-membership libraries, notably the St. John Mechanics' Institute, in operation from 1839-90, and the St. John Society Library, in operation from 1811-69. Agitation for a free library, similar to the Toronto experience, began as early as the late 1870s. The success of a project which secured more than 2,000 books for a free library led to the appointment of a city commission in 1880 charged with forming a free library. After accommodation in the city's central market building was secured, the library eventually opened on 13 June 1883.

A month before, on May 3rd, a provincial act had established the library's legal basis. This Act allowed for appointment by city council of a nine-person board of commissioners to manage the library. The law allowed city council to assess $500 per annum for the library maintenance (this trifling amount was raised to $2,500 by an 1890 amendment). One article authorized council to appoint women as commissioners, not to exceed four in number. In fact, a committee entirely composed of ladies had been instrumental in helping raise funds to create the library before 1883 and it continued to assist in this way after the library opened. Each year, the library was required to submit an annual report to council; in effect, the library board was a semi-independent body within local government.

The act for St. John was singular in nature, shorter, and different from the Ontario enabling law of 1882. For example, it did not have a specified rate clause; it did not stipulate that commissioners could operate branches or newsrooms; it formally provided for bequests and gifts to be held by the library for its own use; it did not authorize appointments by school boards; and it did not enable the transfer of property by a mechanics' institute. Because of the circumstances leading to the library's foundation, there was no need for electors to vote on establishing the library.

Although the St. John law did not serve as a model for other communities in New Brunswick (or Nova Scotia), it did demonstrate an interest in the formation of Canadian free libraries at the local level by means of public statutes, a concept that was repeated in British Columbia (1891) and Manitoba (1899) before the end of the 19th century. The principle of local municipal appropriations, however, was emulated later in separate acts for free public libraries at Woodstock in 1912 and Moncton in 1927 before a general New Brunswick library was enacted in 1929.

CAP. LVIII.

An Act to establish a Free Public Library in the City of Saint John.

Sections
1 City Council to appoint Board of Commissioners.
2 Commissioners incorporated.
3 Continuance and succession of Commissioners; proviso.
4 After organization, property to vest in Commissioners.
5 Powers and duties of Commissioners.
6 Commissioners to make bye laws.
7 Females may be appointed to Board of Commissioners, proviso.
8 Vacancy in Board, how filled.
9 Report of receipts and expenditure to be made to Council annually.
10 City Council to order an annual assessment.
11 Assessment, to whom paid, and how applied.
Passed 3rd May 1883.

WHEREAS a number of persons have made large and valuable gifts of Books and Records, and also contributions in money, for the purpose of founding in the City of Saint John a Free Public Library, and it is desirable that a corporate body should be constituted for the management and continuance thereof;—
Be it enacted by the Lieutenant Governor, Legislative Council, and Assembly, as follows:—

1. It shall be the duty of the Common Council of the City of Saint John within sixty days after the passing of this Act to appoint a Board of nine persons, to be Commissioners for the management of a Free Public Library in the City of Saint John.

2. The persons so appointed by the Common Council shall, upon acceptance of the office, constitute and be the Board of Commissioners of the Free Public Library, and they and their successors are hereby constituted a body corporate by the name of “The Commissioners of the Free Public Library of the City of Saint John,” and by that name shall have the general powers and privileges by law incident to Corporations.

3. The continuance and succession of the said Corporation shall be as follows:—Upon the first day of June in each year after the year of the passing of this Act, two of such persons so appointed shall retire from the Board, in the order hereinafter in this Section prescribed, and two persons shall be annually appointed by the Common Council to fill the vacancies so made: The two persons last and eighth named upon the first appointment shall first retire, and in the next succeeding year the seventh and sixth named in the first appointment shall retire; and in the then next year the fifth and fourth; and in the next year the third and second; and the next year the first named in the first appointment shall retire, and also the first in seniority who may have been appointed to fill the first vacancy by retirement; and thereafter two persons in each year shall retire in the order of seniority of appointment or re-appointment; provided that the Common Council may in their discretion re-appoint any person or persons so retiring: Three Commissioners shall constitute a quorum, and shall be at all times a sufficient number for the legal continuance of the Corporate body.

4. Upon the organization of the Board of Commissioners under this Act, all books, records, moneys and other property now held by certain Trustees heretofore appointed by the Common Council to receive and hold such property, shall vest in the said Corporation constituted under this Act; and upon delivery thereof to the said Corporation, the Trustees shall be and thereupon are hereby discharged of all further responsibility, and relieved of all trusts and duties relating thereto.

5. The said Corporation constituted under this Act shall have full power to take and hold all books and other property coming into their hands for the purposes of this Act, and to receive and take all gifts, bequests and grants of money or chattels of any description, to be held by them for the purposes of this Act.

6. The said Corporation shall have full power and authority from time to time to make and ordain bye laws not contrary to law, for the management and control of the property held by them and the appointment of their officers; and to establish rules and regulations for the care and use of the books and other chattels for the maintenance of a Free Public Library.

7. In the first or any subsequent appointment under this Act, it shall be lawful for the Common Council in their discretion to appoint any female or females on the Board of Commissioners; provided that the female members at such Board shall not at any time exceed four in number.

8. Whenever any vacancy occurs in the Board of Commissioners by death or resignation, such vacancy shall be reported by the Board to the Common Council, who shall proceed to fill such vacancy by the appointment of another Commissioner, who shall hold office for the residue of the term of the person whose place he fills.

9. The Corporation constituted under this Act shall make an annual Report to the Common Council, with a statement of receipts and expenditures.

10. It shall be the duty of the Mayor, Aldermen and Commonalty of the City of Saint John in Common Council, in every year after the present year from and after the passing of this Act, and they are hereby authorized and empowered to order and direct an assessment upon the whole City of Saint John and the inhabitants thereof, in addition to the yearly assessment for other civic purposes, for the sum of five hundred dollars besides the costs of levying and collecting the same, to be assessed, levied and collected at the time of levying and collecting other City rates, and therewith and in the manner provided by The Saint John City Assessment Act 1882, or any other Act for the time being in force relating to the levying, assessing and collecting of rates and taxes in the City of Saint John.

11. The moneys so assessed and collected under the last preceding Section of this Act shall be paid to and received by the Chamberlain of the City of Saint John, and shall be by him paid over as collected to the Commissioners of the Free Public Library in aid of the expenses of management of such Public Library.

PHOTO ESSAY ON ONTARIO'S EDWARDIAN PUBLIC LIBRARIES (1989)

An illustrated address I originally gave at the Canadian Library Association library history interest group session at Edmonton in June 1989. Thanks to Pearl Milne, University of Guelph Library, for her digital assistance with these photographs. Additional images of Ontario libraries ranging from the early- to mid-twentieth century are archived at my older University of Guelph original website, Libraries Today.

Photographs can be used in historical accounts for many different purposes. Often, they serve to illustrate the reality a writer wishes to capture, an effective and time-honoured technique. But they also may be used in their own right, not just as adjuncts to the literary record, but as original sources. Images are part of a broader methodological trend, one that has historians utilizing many non-traditional sources both to establish information about people, places, and events, or to develop new lines of inquiry. Of course, visual history is not new in itself, what has changed in the past twenty years is that more rigorous use of photographs as historical sources has evolved.

Uxbridge Library, c 1887

Historical photographs are being used now in a variety of critical ways in research and teaching. (Note 1) In some cases, they may establish or verify facts, an important consideration when traditional documents are lacking or present discrepancies. Visual histories depicting social or cultural values of an era or place are becoming more frequent; in these works, photographs frequently help to determine the text which may be supplemented by other resources. Sometimes, photographs can be used to reinforce historical interpretations shaped with other source materials. In library history all these photographic dimensions can be employed when different aspects concerning the history of public libraries are analyzed or narrated. (Note 2)

Many photographs pertaining to library history exist at local libraries, museums, and archives across Ontario. Although there is no comprehensive catalogue or index to holdings, they can be as valuable as surviving textual sources because they can be used to formulate new ideas about libraries or to reinterpret a period. For instance, historical works frequently refer to the four decades between 1880 and 1920 as "Victorian" or "Edwardian" or as a "Progressive Era." This period is normally characterized as one of growth and progress for Ontario public libraries, an expansive theme culminating in the revised Public Libraries Act of 1920. Like most eras, the years between 1880-1920 were ones of transition for libraries, a view confirmed by many photographs.

By 1914, distinctively modernist trends were emerging in Ontario's libraries; the Victorian synthesis of ideas and methods common to mechanics' institutes and their immediate successors, free libraries, was giving way to modern trends. Simply put, the public library in the first decade of the twentieth century was modifying its functions and assuming additional roles in society, a process allowing it to serve more people and redefine its character as "modern" at a time when Modernism, a conscious cultural rejection of the past by twentieth-century artists and scientists, was beginning to sweep western nations. At the same time, Ontario was becoming an urban province directed by new values. Historical photographs of libraries help indicate the extent of these fundamental changes.

1 - Toronto Mechanics' Institute

Victorian Heritage

In the Edwardian era there was a mixture of old and new in many Ontario libraries, particularly in cities. The physical reminder of mechanics' institutes, a symbol of nineteenth-century ideals, survived in a few places, notably Toronto where the old institute building, built in the Italian Renaissance style of the 1850s at considerable cost, lingered on, first as an undersized central library, then, after the larger reference library opened on College Street in 1909, as a community branch at the intersection of Church and Adelaide. It finally closed its doors just before the Great Depression.

2 - Toronto Church St. Branch, 1924

Other pre-Carnegie structures, specially commissioned as free libraries, existed in larger centres at Hamilton and London. London's library, designed by the local architect Herbert Matthews in 1895, reflected the popularity of eclectic exteriors, in this case, a Romanesque facade with conical towers, rounded arches, and smooth-faced red brick cladding. It was a late-Victorian revival style that imparted a sense of permanence and strength, solid qualities most communities were anxious to express in the educational facilities they were striving to build at this time.

3 - London Public Library

4 - Hamilton Public Library, c.1905

Interiors of Victorian free libraries were usually spartan: for example, in Hamilton, a building completed at a cost of about $45,000 in 1890, furnishings in the reference section, general reading room, and ladies' reading room were basic staples. These rooms flanked a main corridor leading to a large counter behind which stretched a closed stack room capable of accommodating 50,000 books. The separate reading area for women was a fashionable (and space consuming) fin-de-siècle enhancement that recognized the increasing number of women registering as borrowers. Children under 16 years were less fortunate; generally, they were denied borrowing privileges. In this respect Hamilton's library, led by Richard Lancefield, was relatively liberal; its board began to lower the age restriction for children before 1900. Children's rooms and storytelling would be future projects.

6 - Claremont Library, c.1895

5 - Dundas Library, c.1896

In the smaller communities throughout rural Ontario, libraries had to make do with more modest resources: rented offices, donated property or rooms, or combined business quarters. The small, one-room, subscription library managed by volunteers and part-time staff was commonplace. For instance, at Dundas the library occupied part of the old Elgin House block on busy King Street. In the police village of Claremont, the library operated from a commercial storefront for several years under the guidance of the incumbent shoemaker-librarian, Mr. James Jobbitt, who resigned in 1903.

7 - Streetsville Library

At Streetsville, affairs were more upscale. In 1901 the board of management received a gift comprising part of a small frame commercial building. It converted the space into a serviceable one-room library housed with a jewelry shop. Streetsville was considered advanced by small-town Ontario standards: it operated on a free basis without an age limitation for children, possessed a card catalogue, and used the decimal classification system at a time when the Education Department still clung to an outdated class system adapted from mechanics' institutes.

Edwardian Progress

Sarnia Library, c. 1903

When Carnegie grants became readily available, architects, trustees, and workers began transforming the organization of interior space and the interrelationships between staff and patrons. Improved functions, programs, and arrangements for access were under active development between 1900-10: there were larger branch libraries, children's services, improved reference service, better classification and cataloging schemes, and open access to collections. The familiar Victorian free library conventions--the emphasis on physical custody of books, on printed catalogues for holdings, and on public reading rooms; the use of indicators (a British practice) for circulation status in lending departments; and a desire to offer lectures or evening classes for the technical education of working classes--was ebbing. Libraries were changing their methods, expanding the scope of their public services, and re-evaluating their connections with another developing field, adult education. The modern public library as we know it today was emerging.

8 - Laying Toronto Reference Cornerstone

Carnegie gifts to local communities for library buildings not only attracted public attention at openings and the laying of cornerstones but also stimulated rhetoric about the merit of libraries. The Globe covered one Toronto ceremony, presided over by Ontario's Lieutenant-Governor and Chief Justice William G. Falconbridge, the board chairman, on 27 November 1906:

His Lordship stated that there was no question in this day of the value of free libraries to communities. The objection that a preponderating number of works of fiction circulated through a free library, instead of more solid reading, was not a serious objection in the mind of the Chief Justice, who admitted that he was no enemy to novel reading. . . .

10 - Free Public Library, Belleville, 1911

The box deposited in the corner-stone contained, among other things, a catalogue of the central circulating library, copies of the Toronto daily papers, Canadian coins, and a scroll containing names of those directly interested in its construction. This type of ceremony was re-enacted on many occasions during the Carnegie years. Sometimes a benefaction other than Carnegie's was invoked, for example at Belleville, Henry Corby, a Conservative member of Parliament, donated money for a library that opened January 1908 in the remodelled Merchants' Bank building.

9 - Berlin Library, c.1905

11 - St. Thomas Library, c.1905

After 1900, the interior organization and services of libraries began to change dramatically. At Berlin (now Kitchener), the traditional plan of housing a stack room behind a barrier surmounted by grillwork and railing originally was followed, but later the board decided to permit open access to the collection except for fiction. A special area set off for children and use of the decimal classification were enterprising steps here. The same rationale about safeguarded free access to all books except works of fiction also applied at St. Thomas. The interior here was more ornate: classical busts and handsome wood columns graced the main corridor leading to the circulation desk, the reading room directly across from it, and the reference section at the end of the hall.

12 - Sarnia interior, c.1905

Sarnia's library was constructed along similar lines, but here the board adopted unrestricted access to all books, a bold move in 1903, although the building design easily allowed this measure. The board was fortunate to employ Patricia Spereman, who developed children's services and conducted story hours. She had trained at the Pratt Institute in Brooklyn and became a pioneer in children's work in Ontario and Canada.

13 - Sarnia Story Hour, 1907

14 - Guelph Public Library, c.1905

Carnegie exteriors were celebrated (or detested) for their Beaux-Arts style featuring classical columns, steps, porticos, and domes. It was an exuberant style with classical lines and elements that promoted civic grandeur even in smaller cities which served as markets for the surrounding rural populace. Guelph's library was an Ontario leader in these regards and noted for its lack of functional interior space. However, some architects were influenced by local factors. In Cornwall, where a significant French-speaking community existed, a French chateau appearance was conveyed by the entrance, roof, and small corner tower.

15 - Cornwall Public Library, 1906

Some architects were able to use Beaux-Arts features in a restrained fashion; perhaps the most capable was Alfred H. Chapman, who in association with Wickson and Gregg, designed Toronto's reference library on the corner of College and St. George streets at a cost of more than $250,000. This two-storey structure featured large windows flanked by Corinthian pilasters, soft yellow brick, and main entrance set off to one side. By the standards of the day and even during the bleakness of the Great War, it was an approachable "people place."

16 - Toronto Reference Library, 1915

* * * * * In the years immediately preceding the First World War, therefore, Ontario's public libraries went through unprecedented change. The assumptions and characteristics common to Victorian free libraries--an adult clientele, priority on the safekeeping of books, limited services for users, systems of retrieval based on printed catalogues and indicators, classification and cataloguing systems that applied subject categories and accessioning practice developed in mechanics' institutes, and revival architectural styles--were being challenged and supplanted. The pace of change obviously had quickened in Edwardian Ontario, but faith in the library's contribution to societal progress, a belief that eventual improvements in society would ensue by assisting personal initiatives and stimulating their success, was unshaken. The service ethic became the most important constant in this era, a powerful rationale that spurred new library developments in a society that prized individual effort and public duty.

It is difficult to convey the spirit of any era or activity, but a review of pictures in this brief photo study reveals that it was time for libraries and librarians to look ahead, to question old views and methods, and to adopt fresh ideas.

PICTURE CAPTIONS AND CREDITS
 

Assistance with digitizing these photographs was kindly rendered by Pearl Milne of the University of Guelph Library.

Fig.1 The Toronto Mechanics' Institute before 1884 [AO, S-1178].
Fig. 2 An old Toronto library: the Church street branch, 8 Feb. 1924 [NAC, PA-86436].
Fig. 3 London Public Library, n.d. [NAC, PA-32789].
Fig. 4 View of Hamilton Public Library interior, c.1905 [AO, S-2042].
Fig. 5 Public library at Dundas, c.1896 [AO, S-6934].
Fig. 6 Palmer & Jobbitt store-library at Claremont, c.1895/1903 [AO, S-13475].
Fig. 7 Streetsville's new library, n.d. [AO, S-16035].
Fig. 8 Chief Justice Falconbridge laying the cornerstone of the public reference library in Toronto [AO, S-1252].
Fig. 9 Free Public Library, Belleville, 1911 [NAC, C-21464].
Fig. 10 Berlin Public Library interior, c.1905 [AO, S-2044].
Fig. 11 Central corridor of St. Thomas Public Library, c.1905 [AO, S-2055].
Fig. 12 Lending desk and stack room at Sarnia, c.1905 [AO, S-2057].
Fig. 13 After the Story Hour, 2 March 1907 [AO, S-2058].
Fig. 14 Sham pillars: Guelph Public Library, c.1905 [AO, S-2035].
Fig. 15 Cornwall Public Library, 20 Oct. 1906 [AO, S-2032].
Fig. 16 Toronto Reference Library at 214 College Street, 13 March 1915 [NAC, PA-61384].

AO: Archives of Ontario
NAC: National Archives of Canada

NOTES

1. For discussions on the use of photographs see:

Carol E. Hoffecker, "The Emergence of a Genre: the Urban Pictorial History," Public Historian, 5 (4) 1983: 37-48;
Walter Rundell, Jr, "Photographs as Historical Evidence: Early Texas Oil," American Archivist 41 (4) 1978: 373-398;
Stuart T. Miller, "The Value of Photographs as Historical Evidence," Local Historian 15 (8) 1983: 468-473;
Timothy J. Crimmins, "Is a Picture Worth a Thousand Words? Illustrated Urban Histories," Journal of Urban History 13 (1) 1986: 82-91; and
W. Gillies Ross, "The Use and Misuse of Historical Photographs: A Case Study from Hudson Bay, Canada," Arctic Anthropology 27 (2) 1990: 93-112.
For library applications see Boyd Childress, "Library History, University History, and Photographic History: Some Considerations for Research," Journal of Library History 22 (1) 1987: 70-84.

2. Recent Canadian works include:

Margaret Beckman, John Black and Stephen Langmead, "Carnegie Libraries in Canada," Canadian Library Journal 38(6) 1981: 386-390 and The Best Gift; a Record of Carnegie Libraries in Ontario (Toronto: Dundurn Press, 1983);
David R. Conn and Barry McCallum, "Heritage to Hi-Tech; Evolution of Image and Function in Canadian Public Library Buildings," in Peter F. McNally (ed.), Readings in Canadian Library History (Ottawa: Canadian Library Association, 1986), pp. 123-149;
Margaret Penman, A Century of Service; Toronto Public Library 1883-1983 (Toronto: Toronto Public Library, 1983); and
Barbara Myrvold, "The First Hundred Years: Toronto Public Library 1883-1983," in McNally, Readings , pp. 65-79.